Group test: HD-ready projectors under £2,000

Overview Price comparison: InFocus Big Play IN76 More info: InFocus Size: 120x360x360mm Weight: 4kg Technology: DLP Aspect Ratio: 16:9 Max Screen Size: 371cm Contrast ratio: 3000:1 Brightness: 1000 ANSI lumens Video Inputs: HDMI, DVI-D (via adapter), component, S-video, composite InFocus Big Play IN76 InFocus' IN76 is an ideal projector for anyone who wants class-leading performance without the need for too much pesky tweaking to get them there. Unlike typical basic box designs, the IN76 is beautifully styled with a futuristic, elliptical construction finished in lacquered black. And the unique swivel and tilt stand means it's perfect for coffee table placement - although the stand can be removed for ceiling mounting. Simple controls, an excellent menu system and a remote that features a flashlight for dark room operation make it incredibly easy to use. The impressive internal specification includes a 1280x720 high-definition chipset and PixelWorks processing, which uses several picture enhancing technologies. It's also equipped with dual digital inputs - HDMI and InFocus' own M1 connector. The M1 connector can accept analogue or digital outputs using DVI-D, which means you can connect a pair of digital sources simultaneously. While some projectors require tiresome adjustments to unearth the best picture, the IN76 produces stunning performance straight from the box. The immediately engaging images are exceptionally bright, which exposes intricate detail while deep black levels ensure that contrast isn't sacrificed. Colours appear rich and lustrous without overstepping realism and our only gripe is occasionally stuttered movement and the price. You can get similar performance for less money but you'll have to compromise design and usability.

Verdict Plus points Futuristic design, dual digital connectivity, ease of use, excellent performance out of the box Minus points Pricey, motion instability

Overview Price comparison: LG AN110 More info: LG Electronics Size: 433x255x93 Weight: 4.5kg Technology: DLP Aspect Ratio: 16:9 Max screen Size: 371cm Contrast ratio: 2500:1 Brightness: 1000 ANSI lumens Video Inputs: HDMI, component, composite, analogue VGA LG AN110 LG's AN110 is the world's first flat projector. The award-winning design can be hung on the wall like a picture frame - handy for saving space, but it also looks good enough to pass as a piece of art. Although projector technology has improved rapidly in recent years, design has been largely ignored as an afterthought - until now, it would seem. The AN110's slim, rectangular construction has been made possible courtesy of two defining technologies - the L-type projector lens and Reverse Type TR prism - which allow it to be conveniently placed out of the way. The specification isn't overwhelming at this price but does include a high-resolution 1280x768 chipset that will display all pixels using a 16:9, high-definition 720p signal. Connectivity includes an all-important HDMI input and alternative analogue component and VGA inputs if you are still using standard-definition. It's relatively easy to use with a sensibly arranged menu system and intuitive remote that takes responsibility for most controls if the projector is wall-mounted. And it's comparatively quieter than most models. While performance can't claim to be class leading, picture quality is still impressive. High-definition images appear clean and controlled with decent contrast and assured movement. Detail doesn't compare to the best models and colours tend to appear overexaggerated in scenes laden with special effects - but the differences are only subtle. You do pay a premium for the design but it will appeal to style conscious users who don't want to clutter their coffee table with an ugly box.

Verdict Plus points Revolutionary design, convenience, competent performance Minus points Price to performance ratio doesn't compare to class leaders

Overview Price comparison: Panasonic PT-AE900 More info: Panasonic Size: 100x340x270mm Weight: 4kg Technology: DLP Aspect Ratio: 16:9 Max Screen Size: 371cm Contrast ratio: 5,500:1 Brightness: 1110 ANSI Lumens Video Inputs: HDMI, component, RGB Scart, S-video, composite Panasonic PT-AE900 Despite using what is considered to be dated LCD technology, Panasonic's PT-AE900 provides a stunning performance that puts most of its more expensive DLP rivals to shame. The ordinary design isn't unattractive but could still be mistaken for a fan heater from afar. One useful feature though is the toggle control on the front panel, which allows you to easily adjust the height and alignment of the image without using typically fiddly feet. The oversized remote might appear intimidating but it features learning functionality that lets you control your entire home cinema system. The specification includes a native widescreen 1280x720 resolution and improved contrast and brightness figures over its predecessor. There's also some proprietary technology such as the Smooth Screen System, which reduces the so-called 'chickenwire effect' that often afflicts LCD models. The system is effective enough to eliminate the problem in all but the most distant shots. All-inclusive connectivity includes a high-definition compatible HDMI digital input with a full range of analogue alternatives, which even include a RGB Scart for standard users. Image quality is outstanding for the price. Black levels delve deep enough to unearth impressive detail and contrast, colours are bright and balanced and movement is exceptionally smooth and smear-free. Image density and edge definition may not equal Themescene's and InFocus' DLP models but the PTAE900 is unbelievable value for money - especially since you can find it online for just over £1,000.

Verdict Plus points Value, all-inclusive connectivity, superb performance especially with movement Minus points Ordinary design, intimidating remote, slight chickenwire effect

Overview Price comparison: Optoma Themescene HD72i More info: Optoma Size: 100x350x250mm Weight: 3kg Technology: DLP Aspect Ratio: 16:10 Max Screen Size: 762cm Contrast ratio: 3000:1 Brightness: 1300 ANSI Lumens Video Inputs: HDMI, DVI-D, component, S-video, composite Optoma Themescene HD72i Unlike the other projectors in this test, the Themescene HD72i uses a high-definition chipset with a native 16:10 aspect ratio. This latest technology claims to bring benefits to video performance and you can still play typical 16:9 content without compromising quality. The conventional design has been streamlined to appear more contemporary and the white finish makes it ideal for inconspicuous ceiling mounting. For an incredibly competitive price the specification affords a surprising wealth of technology. There's a high-resolution 1280x768 chipset, Faroudja DCDi processing, a proprietary 7-segment colour wheel and several advanced picture enhancing systems. However, installation is more complicated and average users may feel overwhelmed at times. Peerless connectivity includes two digital input options with HDMI and DVI, which can also be used for PC applications. There are also high-quality component inputs supporting 10-bit processing and you can even connect a traditional Scart device using the supplied adapter cable. In action, the HD72i puts in a breathtaking performance. Distinct black levels expose meticulous detail and depth-defining contrast even in scenes with low light levels. Colours, especially natural tones, carry richness and realism without confusion and images are immaculately clean. However, movement could be more cohesive with HD material in particular and you may notice the occasional rainbow effect. Still, at this price it's an absolute steal.

Verdict Plus points Competitively priced, advanced specification, complete connectivity, detailed performance Minus points Lightweight build quality, complicated set up, HD motion rendering

Final verdict Few tests have produced four products with such high ratings and separating a winner has proved a difficult dilemma. Only LG's AN110 falls slightly short of what can be considered class-leading performance - although its revolutionary design will attract plenty of aesthetic-minded attention. Optoma's Themescene HD72i and Panasonic's PT-AE900 offer incredible value for money. Despite employing different technologies both are capable of sublime performance. As you can get the Panasonic for considerably less than the stated price it's ideal for first-time buyers. But the Themescene's advanced specification and features will give you more for your money - even if it will tax your technical acumen. And that leaves the InFocus IN76 as our group test winner. It's recently come down in price to make it the bargain of the group, as well as claiming the best characteristics of all its rivals in a single system - sleek design, fuss-free functionality and exceptional performance, all at a very favourable price.

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